
| Union Station | |
|---|---|
French treatrical poster |
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| Directed by | Rudolph Maté |
| Produced by | Jules Schermer |
| Written by | Story: Thomas Walsh Screenplay: Sydney Boehm |
| Starring | William Holden Nancy Olson Barry Fitzgerald |
| Music by | Heinz Roemheld |
| Cinematography | Daniel L. Fapp |
| Editing by | Ellsworth Hoagland |
| Distributed by | Paramount Pictures |
| Release date(s) | October 4, 1950 (U.S.A.) |
| Running time | 80 minutes |
| Language | English |
Union Station 1950) is a film noir, directed by Rudolph Maté. The drama features William Holden, Barry Fitzgerald, and Nancy Olson, among others.[1]
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In this police thriller that partly takes place in Chicago's Union Station, a railway policeman, William Calhoun, is approached at work by an apprehensive passenger named Joyce Willecombe (Nancy Olson) who believes that two travelers aboard her train may have been up to no good.
Joyce is the secretary to a rich man named Henry Murchison (Herbert Hayes), whose blind daughter, Lorna, has been kidnapped and held for ransom. The railway station where Calhoun works has been chosen as the location to pay off the ransom. Calhoun and fellow cop Inspector Donnelly race against time to find the kidnappers and bring them to justice.
The film was based on Nightmare in Manhattan, an Edgar-winning novel by Thomas Walsh. Sidney Boehm's script for the film version was nominated for an Edgar in the screenplay category. Aside from changing the setting from New York City's Grand Central Station to Chicago's Union Station, and changing the kidnap victim from a little boy to a blind, teen-aged girl, the script was quite faithful to its source material.
William Holden and Nancy Olson also appeared in Sunset Boulevard the same year.
Filming locations
Filming locations include: Union Station, Downtown, Los Angeles, California.[2]
The staff at Variety magazine gave actor William Holden a good review, writing, "William Holden, while youthful in appearance to head up the railway policing department of a metropolitan terminal, is in good form."[3]
Channel 4's film review notes, "Despite the barely believable plot, the film has a real edge. Made in 1950, it obviously can't push to the extremes of Dirty Harry but it shares the same mean spirit. Maté capitalizes on the story's setting by using innocent passengers and the station's dramatic spaces to heighten the feverish atmosphere."[4]
Critic Jerry Renshaw lauded the film and wrote, "On the surface, Union Station is a fairly routine action film for 1950, with its high level of suspense, strong-arm police procedural tactics, and caper-film trappings. However, a definite noir outlook is belied by the fact that the police play as rough as the bad guys, blurring the lines of good and evil. Audiences are used to seeing Barry Fitzgerald as a kindly Irish priest in most roles; during the scene on the empty platform, though, Fitzgerald's Inspector Donnelly tells the cops in his most charming Father O'Flaherty voice, 'Make it look accidental.' That's one of the more chilling moments of noir, more suited to James Ellroy than Fifties Hollywood. Director Maté also helmed the classic D.O.A. in 1950.[5]
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