Under Capricorn
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| Under Capricorn | |
|---|---|
 Original film poster |
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| Directed by | Alfred Hitchcock |
| Produced by | Alfred Hitchcock (uncredited) Sidney Bernstein (uncredited) |
| Written by | Hume Cronyn James Bridie John Colton (play) Margaret Linden (play) Helen Simpson (novel) |
| Starring | Ingrid Bergman Joseph Cotten Michael Wilding Margaret Leighton Cecil Parker |
| Music by | Richard Addinsell |
| Cinematography | Jack Cardiff |
| Distributed by | Warner Bros. Pictures |
| Release date(s) | September 8, 1949 |
| Running time | 117 min. |
| Country | UK |
| Language | English |
| IMDb profile | |
Under Capricorn (1949) is an Alfred Hitchcock film based on a novel by Helen Simpson, with screenplay written by James Bridie, and adaptation by Hume Cronyn. The movie was co-produced by Hitchcock and Sidney Bernstein for their short-lived production company Transatlantic Pictures and released through Warner Bros. The film starred Ingrid Bergman, Joseph Cotten, Michael Wilding, and Margaret Leighton.
The film was Hitchcock's second film in Technicolor and uses ten-minute takes similar to those in Hitchcock's film Rope (1948). It is believed that the audience thought Under Capricorn was going to be a thriller. But Under Capricorn was a drama. So the film turned out to be a box office failure. But French Critics consider Under Capricorn as one of Hitchcock's finest films.
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Plot
In 1831 Australia, Charles Adare (Wilding) arrives with his uncle, the new governor (Cecil Parker). Charles hopes to make his fortune in Sydney. He is befriended by Samson Flusky (Cotten), a prosperous ex-convict. Sam's wife, Lady Henrietta (Bergman), was a friend of Charles's sister in Ireland. Sam hopes that Charles will cheer up his wife, who is an alcoholic. Meanwhile the housekeeper, Milly (Leighton), secretly loves Sam, and encourages Henrietta's drinking. Sam has been sent to an Australian prison after he confessed to a killing actually committed by Henrietta, who followed Sam and waited for his release. Charles's efforts to rehabilitate Henrietta conflict with Milly's intentions. Eventually, Sam becomes jealous, and in a rage, accidentally shoots Charles. This time Hattie accepts the blame for the shooting.
Trivia
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This section contains a collection of miscellaneous information. The article could be improved by integrating relevant items and removing inappropriate ones. |
- Alfred Hitchcock cameo: A signature occurrence in almost all of Hitchcock's films, he can be seen in the town square during a parade, wearing a blue coat and brown hat at the beginning of the film. He is also one of three men on the steps of Government House 10 minutes later.
- In Truffaut/Hitchcock (New York: Simon and Schuster, 1967), Hitchcock told François Truffaut that Under Capricorn was such a failure that the banks that financed it repossessed the film, which wasn't shown on U.S. network television until 1968. In the Truffaut interview, Hitchcock also mentioned the New York Times reviewer, who wrote that the viewer had to wait almost 100 minutes for the first suspenseful moment.
The long take
In Style and Meaning: Studies in the Detailed Analysis of Film (Manchester: Manchester University Press, 2005), Ed Gallafent's article "The Dandy and Magdalene: Interpreting the Long Take in Hitchcock’s Under Capricorn (1949)" says:
"The use of the long take in Under Capricorn relates to three elements of film's meaning.
- Ideas of accessible and inaccessible space as expressed in the gothic house.
- The form in which character inhabit their past
- The divergence or convergence of eyelines – the gaze that cannot, or must meet another’s.
All of these three elements can be linked to concepts of Guilt and Shame. In 1 and 2, the question is how something is felt to be present. In 3, it is difference between representation or sharing, of the past as flashback, and of the past as spoken narrative, where part of what is being articulated is precisely the inaccessibility of the past, its experience being locked inside the speaker. As for 3, the avoided gaze is determining physical sign of shame."
Gallafent, professor of film at University of Warwick, also explains these aspects of Under Capricorn:
The inscription on the Bergman character's house -- Minyago Yugilla –- means "Why weepest thou?"
St. Mary Magdalene (the patron saint of penitent sinners) in religious iconography: the bare feet, skull, the flail, the looking glass in which beholder’s is not always reflected, the jewels cast down to floor. All of these images are in the film. Sources for the imagery that Hitchcock might have had in mind are the paintings St. Mary Magdalene With a Candle (1630-1635) and St. Mary Magdalene With a Mirror (1635-1645), both by Georges de la Tour.
External links
- Under Capricorn at the Internet Movie Database
- Under Capricorn at the TCM Movie Database
- Under Capricorn Eyegate Gallery
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