All-Time 100 Greatest Movies
The All-TIME 100 Greatest Movies is a compilation by Time magazine featuring and celebrating the best 100 movies of world cinema.
The feature was compiled by movie critics Richard Schickel and Richard Corliss. The full list comprises:
2000s
1990s
1980s
- "The Decalogue" directed by Krzysztof Kieślowski (Independent, 1989)
- "Nayakan" directed by Mani Ratnam (Sujatha Films, 1987)
- "Wings of Desire" directed by Wim Wenders (MGM, 1987)
- "The Fly" directed by David Cronenberg (20th Century Fox, 1986)
- "The Singing Detective" directed by Jon Amiel (BBC TV, 1986)
- "Brazil" directed by Terry Gilliam (Universal Pictures, 1985)
- "The Purple Rose of Cairo" directed by Woody Allen (Orion Pictures, 1985)
- "Blade Runner" directed by Ridley Scott (Warner Bros., 1982)
- "E.T. The Extra-Terrestrial" directed by Steven Spielberg (Universal Studios, 1982)
- "Berlin Alexanderplatz" directed by Rainer Werner Fassbinder (TeleCulture, 1980)
- "Mon oncle d'Amérique" directed by Alain Resnais (New World Pictures, 1980)
- "Raging Bull" directed by Martin Scorsese (United Artists, 1980)
1970s
- "Star Wars" directed by George Lucas (20th Century Fox, 1977)
- "Taxi Driver" directed by Martin Scorsese (Columbia Pictures, 1976)
- "Barry Lyndon" directed by Stanley Kubrick (Warner Bros., 1975)
- "Chinatown" directed by Roman Polanski (Paramount Pictures, 1974)
- "Day for Night" directed by François Truffaut (Independent, 1973)
- "The Godfather, Parts I and II" directed by Francis Ford Coppola (Paramount Pictures, 1972, 1974)
- "Aguirre: the Wrath of God" directed by Werner Herzog (Independent, 1972)
- "The Discreet Charm of the Bourgeoisie" directed by Luis Buñuel (Independent, 1972)
- "A Touch of Zen" directed by King Hu (Independent, 1971)
1960s
- "Once Upon a Time in the West" directed by Sergio Leone (Paramount, 1968)
- "Bonnie and Clyde" directed by Arthur Penn (Warner Bros.-Seven Arts, 1967)
- "Mouchette" directed by Robert Bresson (UGC, 1967)
- "Closely Watched Trains" directed by Jiří Menzel (Ústřední půjčovna filmů, 1966)
- "The Good, The Bad and The Ugly" directed by Sergio Leone (United Artists, 1966)
- "Persona" directed by Ingmar Bergman (United Artists, 1966)
- "Bande à part" directed by Jean-Luc Godard (Independent, 1964)
- "Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb" directed by Stanley Kubrick (Columbia Pictures, 1964)
- "A Hard Day's Night" directed by Richard Lester (United Artists, 1964)
- "Charade" directed by Stanley Donen (Universal Pictures, 1963)
- "8½" directed by Federico Fellini (Independent, 1963)
- "Lawrence of Arabia" directed by David Lean (Columbia Pictures, 1962)
- "The Manchurian Candidate" directed by John Frankenheimer (United Artists, 1962)
- "Yojimbo" directed by Akira Kurosawa (Toho Company Ltd., 1961)
- "Psycho" directed by Alfred Hitchcock (Paramount Pictures, 1960)
1950s
- "The 400 Blows" directed by François Truffaut (Cocinor, 1959)
- "Some Like It Hot" directed by Billy Wilder (United Artists, 1959)
- "Pyaasa" directed by Guru Dutt (Independent, 1957)
- "Sweet Smell of Success" directed by Alexander Mackendrick (United Artists, 1957)
- "Invasion of the Body Snatchers" directed by Don Siegel (Allied Artists Pictures Corporation, 1956)
- "The Searchers" directed by John Ford (Warner Bros., 1956)
- "The Apu Trilogy" directed by Satyajit Ray (Edward Harrison, 1955, 1956, 1959)
- "Smiles of a Summer Night" directed by Ingmar Bergman (Independent, 1955)
- "On the Waterfront" directed by Elia Kazan (Columbia Pictures, 1954)
- "Tokyo Story" directed by Yasujiro Ozu (Shochiku, 1953)
- "Ugetsu" directed by Kenji Mizoguchi (Daiei, 1953)
- "Ikiru" directed by Akira Kurosawa (Toho, 1952)
- "Singin' in the Rain" directed by Stanley Donen (MGM, 1952)
- "Umberto D" directed by Vittorio De Sica (Dear Film, 1952)
- "A Streetcar Named Desire" directed by Elia Kazan (Warner Bros., 1951)
- "In A Lonely Place" directed by Nicholas Ray (Columbia Pictures, 1950)
1940s
- "Kind Hearts and Coronets" directed by Robert Hamer (General Film Distributors, 1949)
- "White Heat" directed by Raoul Walsh (Warner Bros., 1949)
- "Out of the Past" directed by Jacques Tourneur (RKO Radio Pictures, 1947)
- "It's a Wonderful Life" directed by Frank Capra (RKO Radio Pictures, 1946)
- "Notorious" directed by Alfred Hitchcock (RKO Radio Pictures, 1946)
- "Children of Paradise" directed by Marcel Carné (Independent, 1945)
- "Detour" directed by Edgar G. Ulmer (Producers Releasing Corporation, 1945)
- "Double Indemnity" directed by Billy Wilder (Paramount Pictures, 1944)
- "Meet Me in St. Louis" directed by Vincente Minnelli (MGM, 1944)
- "Casablanca" directed by Michael Curtiz (Warner Brothers, 1942)
- "Citizen Kane" directed by Orson Welles (RKO Radio Pictures, 1941)
- "The Lady Eve" directed by Preston Sturges (Independent, 1941)
- "His Girl Friday" directed by Howard Hawks (Columbia Pictures, 1940)
- "Pinocchio" directed by Bill Roberts (RKO Radio Pictures, 1940)
- "The Shop Around the Corner" directed by Ernst Lubitsch (MGM, 1940)
1930s
- "Ninotchka" directed by Ernst Lubitsch (MGM, 1939)
- "Olympia, Parts 1 and 2" directed by Leni Riefenstahl (Independent, 1938)
- "The Awful Truth" directed by Leo McCarey (Columbia, 1937)
- "Camille" directed by George Cukor (MGM, 1936)
- "The Crime of Monsieur Lange" directed by Jean Renoir (Independent, 1936)
- "Dodsworth" directed by William Wyler (United Artists, 1936)
- "Swing Time" directed by George Stevens (RKO, 1936)
- "Bride of Frankenstein" directed by James Whale (Universal Pictures, 1935)
- "It's a Gift" directed by Norman Z. McLeod (Independent, 1934)
- "Baby Face" directed by Alfred E. Green (Warner Bros., 1933)
- "King Kong" directed by Merian C. Cooper (RKO Radio Pictures, Inc., 1933)
- "City Lights" directed by Charlie Chaplin (United Artists, 1931)
1920s
Reception
According to Richard Corliss, the listing pages attracted a record 7.8 million page views in its first week, including 3.5 million on May 23rd, its opening day.[1]
"Thousands of readers have written in to cheer or challenge our selections, and thousands more have voted for their own favorites. The response simply underscores Richard's and my long-held belief that everybody has two jobs: his own and movie critic."[2]
References
External links
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