
| The Black Hole | |
|---|---|
| Directed by | Gary Nelson |
| Produced by | Ron Miller |
| Written by | Bob Barbash (story) Richard Landau (story) Gerry Day Jeb Rosebrook |
| Starring | Maximilian Schell Anthony Perkins Ernest Borgnine Robert Forster Joseph Bottoms Yvette Mimieux Roddy McDowall (voice) Slim Pickens (voice) |
| Music by | John Barry |
| Cinematography | Frank Phillips |
| Editing by | Gregg McLaughlin |
| Distributed by | Walt Disney Pictures Buena Vista |
| Release date(s) | December 21, 1979 |
| Running time | 97 min. |
| Country | |
| Language | English |
| Budget | $20,000,000 (estimated) |
The Black Hole is a 1979 science fiction movie directed by Gary Nelson for Walt Disney Productions. It stars Maximilian Schell, Robert Forster, Joseph Bottoms, Yvette Mimieux, Anthony Perkins, and Ernest Borgnine. The voices of the main robot characters in the film are provided by Roddy McDowall and Slim Pickens. The music for the movie was composed by John Barry. The plot was inspired by Jules Verne's Twenty Thousand Leagues Under the Sea, filmed by Disney in 1954. Alan Dean Foster novelized the screenplay.
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Widely regarded as Disney's answer to Star Wars[citation needed] (though work on the film was already underway as early as 1975), at $20 million (plus another $6 million for its advertising budget[1]) it was at the time the most expensive picture ever produced by the company. It was generally not well-received by critics, although the special effects were highly praised.[who?] The movie earned $36 million at the US box office, making it the 13th highest grossing film of the year. The film was nominated for cinematography and visual effects Academy Awards and was notable for being the first Disney film not to have a universal rating, due to mild language (being the first Disney film to include profanity of any type) and scenes of human death never seen in a Disney production before (e.g., Anthony Perkins' character is eviscerated). To that end, it was rated PG in the U.S. Along with frequent subtexts, there were also metaphysical and religious themes expressed through the film. This film led the company towards experimenting with more adult-oriented films, which would eventually lead to the creation of its Touchstone Pictures and Hollywood Pictures arms to handle films considered too mature in nature to carry the Walt Disney label [2].
The Black Hole has been released several times on VHS and DVD.
An Earth exploratory ship, the USS Palomino, discovers a black hole with a lost ship, the USS Cygnus, just outside its event horizon. Setting off to solve the mystery of the Cygnus are: the Palomino's Captain, Dan Holland (Forster); his First Officer, Lieutenant Charlie Pizer (Bottoms); journalist Harry Booth (Borgnine); ESP-sensitive scientist Dr. Kate McCrae (Mimieux); Dr. Alex Durant (Perkins), the expedition's civilian leader; and the robot V.I.N.CENT. The Palomino attempts a dangerous fly-by of the darkened ship. As they come within close range of it, the buffeting they experience due to the black hole's gravity suddenly ceases. They bring more instruments to bear on the derelict, but do not realize the gravity-free zone is artificial; slipping outside it, they are almost drawn into the hole.
V.I.N.CENT goes EVA to secure an outboard door that has been compromised. While outside, the ship loses radio contact with V.I.N.CENT. It is revealed that Kate has a cybernetic module implanted in her brain which allows her to telepathically communicate with V.I.N.CENT. This method is used to confirm that V.I.N.CENT is functional. Meanwhile, the human crew members fight to keep the Palomino from falling into the hole. They finally regain control of their ship, but discover that their oxygen-recycling system is damaged and needs replacement parts; otherwise, they will all suffocate long before reaching Earth again.
As they pass the Cygnus once more, the ship lights up with sudden illumination. Though the crew of the Palomino does not know who is aboard, they dock and board the ship. They find a crew of humanoid, faceless robots, then meet the ship's Commander, Doctor Hans Reinhardt (Schell), a prominent scientist last seen twenty years ago. Reinhardt also commands an army of robot sentries, based on S.T.A.R. (Special Troops/Arms Regiment), and the hulking, ominous, mute Maximillian.
Reinhardt reveals to the Palomino crew his most ambitious project, for which he has prepared for the last 20 years: to steer the Cygnus into the black hole and explore beyond. While most of the crew react with incredulity and skepticism upon this announcement, Durant reacts with enthusiasm and is even willing to accompany Reinhardt into the black hole.
Reinhardt claims he is the only human remaining aboard the vessel. But the Palomino crew's suspicions are soon raised: Booth observes one of the humanoid robots tending an enormous vegetable garden large enough to feed thousands and walking with a limp; Holland discovers crew quarters filled with personal items (and even fresh uniforms), then observes a "space burial" being conducted by the humanoids. An earlier-model robot similar to V.I.N.CENT, named Old B.O.B., reveals that the Cygnus crew mutinied against Reinhardt when the Doctor ignored recall orders from Earth. After killing the rebellion's ringleader — Frank McCrae, his own First Officer and Kate's father — Reinhardt used the fully-automated robots aboard the ship to lobotomize the remainder of the crew and turn them into automatons with no free will; they became the humanoid "robots" on the Cygnus. The Palomino crew considers taking over the Cygnus, but B.O.B. assures them that the humanoids cannot be brought back to normal and that it would be foolish to take on the robot soldiers. They decide that escape is the best option.
Durant and Kate have meanwhile accompanied Reinhardt to the Cygnus's bridge. Durant is eager to accompany Reinhardt; McCrae has reservations. When she communicates their status to Holland on Palomino via ESP to V.I.N.CENT, he orders them to return. When Durant balks, Holland instructs V.I.N.CENT to tell McCrae about Reinhardt's crimes and inform Durant. Durant immediately checks the bridge personnel. He pulls the blank metal faceplate off a humanoid, revealing a gaunt, pale human face with blank, empty eyes. Durant is shocked to find the accusations true. When Durant confronts Reinhardt, he is killed by Maximillian's whirling blades, and McCrae is sent to be lobotomized. While the rest of the crew goes to rescue Kate, journalist Harry Booth attempts to escape alone in the Palomino, but Reinhardt shoots the ship down. In a twist of fate, the resulting crash of the Palomino damages the Cygnus's power center. The generator producing the anti-gravity shielding protecting the Cygnus from the black hole's effects fails. Then an asteroid storm occurs and damages the ship further, as the Palomino crew attempt to reach a space probe previously used by Reinhardt to scan the black hole.
The g-forces emitted from the black hole cause the Cygnus to fall into ruin. Maximilian and Reinhardt, realizing they will have to abandon their great ship, program the space probe (which the Palomino crew is approaching). As Maximilian leaves to prepare the probe for their escape, a large "astro-screen" monitor on the bridge falls and pins Reinhardt against his own control station. Reinhardt calls for help from Maximilian, but the huge robot is already en route to the probe ship, either unaware of his master's plight or totally indifferent to it. Reinhardt rails at the lobotomized crewmembers who cling to their stations as the ship falls apart around them, but he has neutralized their free will so efficiently that they will not break routine to save themselves, let alone Reinhardt. He dies of decompression, uttering the words "More light" as he dies.
The Palomino crew, meanwhile, struggles to reach the probe ship. The travel tube they use is cut off. They proceed down the ship's main corridor, dodging laser fire from remaining sentry robots. As they reach the ship, they are surprised by Maximilian, who crashes through an exterior ship panel, attacks Old B.O.B, and engages V.I.N.CENT in a fight while the humans escape. V.I.N.CENT prevails, but the fight leaves Old B.O.B. damaged beyond repair; he parts ways with V.I.N.CENT, shutting down for good. Holland, Pizer, McCrae, and V.I.N.CENT escape aboard the Cygnus's probe ship, only to discover that Maximilian has, on Reinhardt's orders, pre-programmed it to enter the black hole itself.
The film's ambiguous and rather cosmic ending — somewhat similar to Into Infinity, and 2001: A Space Odyssey — has been the subject of some debate.[citation needed] As the Palomino survivors reach the bottom of the black hole after a harrowing flight, they appear to enter Hell and Heaven.[3] We see Reinhardt condemned to eternal imprisonment in the metal body of Maximilian in Hell (a sequence foreshadowed in Booth's line early in the film, that the Black Hole was like something "right out of Dante's Inferno" and Reinhardt's statement that the black hole will bring him immortality), then the crew of the Palomino are guided by an angel through Heaven. Eventually they emerge from a white hole into what appears to be a new universe. The film doesn't make it clear if the crew is literally journeying through Hell and Heaven, or if they've entered another dimension.
In Alan Dean Foster's novelization of the film, Kate's ESP links the minds of the Palomino's crew and allows them to survive (in a fashion) while the atoms of their bodies diffuse and are scattered throughout the universe.
One comic book adaptation of the film bypasses the whole issue of what happens inside the black hole by having the crew enter the black hole on one page and emerging apparently unharmed on the next page into a universe where they encounter alternate versions of Reinhardt, Old B.O.B. and Maximilian. Other comic adaptations released in Europe have the crew emerging into another galaxy, thus confirming Reinhardt's theories. While wondering if they will ever return to Earth, they decide to explore this new universe.
In the official Disney Read-Along recording, the crew in the probe ship emerge safely on the other side of the black hole, while the Cygnus is "crushed like an eggshell". The story ends with Captain Holland saying "We've been trained to find new worlds. Let's go find one for ourselves."
* Not credited on-screen.
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This article or section may contain original research or unverified claims. Please improve the article by adding references. See the talk page for details. (August 2008) |
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This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. (August 2008) |
The Black Hole contained a number of factual errors relating to space, and at least one major mistake in dialogue. During the (re)discovery of the Cygnus, Kate McCrae states that it held the same mission as the Palomino: to search for "habitable life" in the universe. Other issues included glowing-red meteors (which are, in reality, cold rocks) and the appearance of the crew in the vacuum of space without space suits, yet without asphyxiating from a lack of oxygen, or suffering from a lack of pressure.
During the escape from the Cygnus, Kate appears unaffected by the G-forces, sitting upright and looking about the cabin while the other crew members are pinned to their seats.
The producers of the film addressed these issues in various magazine articles prior to the release of the film. It was stated in Starlog magazine that the black hole had accumulated an atmosphere, in addition to all the debris that was continually showed spiraling into it in the film, and that this atmosphere was breathable by humans, at least for short periods. The glowing meteors were said to be glowing because of friction they encountered while flying through that atmosphere.
Highlights of the score, as conducted and composed by John Barry, were released on an LP by Walt Disney Records in 1979. It was the first-ever digitally recorded score for a film, although using digital equipment different from what is used today. Because of the early low digital bit-rate used during recording, the soundtrack has never been issued on CD, although it is rumored that such a release is in the works. In the meantime, a CD-quality version of the soundtrack can be purchased and downloaded through iTunes.
As issued, the following tracks were listed on the album:
Silva Screen Recordshave released compilation albums remastering some of John Barry's works, which includes some of the music from The Black Hole. Only one track is available and it apparently is The Overture.
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Lists of miscellaneous information should be avoided. Please relocate any relevant information into appropriate sections or articles. (July 2008) |
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This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. (October 2008) |
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