| Groundhog Day | |
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Theatrical release poster |
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| Directed by | Harold Ramis |
| Produced by | Trevor Albert Harold Ramis |
| Written by | Danny Rubin (story) Danny Rubin and Harold Ramis (screenplay) |
| Starring | Bill Murray, Andie MacDowell, Chris Elliott, Stephen Tobolowsky, Brian Doyle-Murray |
| Music by | George Fenton |
| Cinematography | John Bailey |
| Distributed by | Columbia Pictures |
| Release date(s) | February 12, 1993 |
| Running time | 101 min. |
| Country | United States |
| Language | English |
| Budget | $14,600,000 |
| Allmovie profile | |
| IMDb profile | |
Groundhog Day is a 1993 comedy film directed by Harold Ramis, starring Bill Murray and Andie MacDowell. It was written by Ramis and Danny Rubin, and based on a story by Rubin.
In the film, Murray plays Phil Connors, an egocentric Pittsburgh TV weatherman who, during a hated assignment covering the annual Groundhog Day event (February 2) in Punxsutawney, finds himself repeating the same day over and over again. After indulging in all manner of hedonistic pursuits, he begins to reexamine his life and priorities.
In 2006, Groundhog Day was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant." It is listed as the 181st most popular movie at the Internet Movie Database as of Groundhog Day, 2008.
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Self-centered TV meteorologist Phil Connors, his producer Rita, and cameraman Larry from the fictional Pittsburgh television station WPBH-TV9 travel to Punxsutawney, Pennsylvania (which, in real life, as in the movie, holds a major celebration for Groundhog Day) to cover the annual festivities with Punxsutawney Phil.
After the celebration concludes, a blizzard develops (that Connors had predicted would miss them), closing the roads and shutting down long-distance phone service, forcing the team to return to Punxsutawney. Connors awakens the next morning, however, to find it is again February 2, and his day unfolds in exactly the same way. He is aware of the repetition, but everyone else seems to be living February 2 exactly the same way and for the first time. This recursion repeats the following morning as well, over and over again. For Connors, Groundhog Day begins each morning at 6:00 A.M., with his waking up to the same song, Sonny & Cher's "I Got You Babe", on his alarm clock radio, but with his memories of the "previous" day(s) intact, trapped in a seemingly endless "time loop" to repeat the same day in the same small town.
After briefly trying to rationalize his situation, and then thinking he is insane, Connors takes advantage of learning the day's events and the information he is able to gather about the town's inhabitants, and also that his actions have no long-term consequences. He revels in this situation for a time: seducing beautiful women, stealing money, even driving drunk and experiencing a police chase. However, his attempts to seduce his producer, Rita, are met with repeated failure. He begins to tire of, and then dread, his existence, finally starting the day by smashing the alarm clock and in his newcast, professing the inanity of Groundhog Day as a holiday, pointing out that the proper use of a groundhog is to cook and eat it. In what appears to be a fit of madness, he then kidnaps Phil the Groundhog. After a police pursuit, Connors drives the stolen truck off a cliff and into a quarry, causing both man and rodent to die in a fiery explosion; but the loop does not stop. He commits suicide several more times — he electrocutes himself, steps into the path of a truck, and jumps from a tall building (other attempts are alluded to) — but mere death cannot stop the day from repeating. After he dies, he simply wakes up listening to Sonny & Cher in the same bed again.
He initially tries to seduce Rita by learning as much about her as he can on a daily basis, then using it the next day. This consistently fails. However, he is able to befriend her in a more sincere fashion. He tells her of his circumstances - how he is reliving the day over and over again - and manages to convince her with his extensive knowledge of events to come, the events of the lives of each of the Punxsutawney townspeople, and Rita herself.
He opens his heart to Rita, and her advice helps him to gradually find a goal for his trapped life: as a benefactor to others. He cannot, in a single day, bring others to fulfill his needs but he can achieve self-improvement by educating himself on a daily basis. After seeing an elderly homeless man die, Phil vows that no one will die on "his" day and performs many heroic services each and every day, including performing the Heimlich Maneuver on a choking man, and saving a little boy who falls from a tree. He however becomes despondent because he is unable to save the homeless man, despite getting him in where it's warm, feeding him, and trying to get him medical care. A hospital nurse tries to console him when he asks what was the cause of the man's death, saying, "he was old, it was just his time."
Though the film does not specify the number of repetitions, there is enough time for Connors to learn many different complex skills, such as how to play jazz piano like a master, speak French fluently, sculpt ice, and memorize and be able to recite the life story of almost everyone in town. He also masters the art of flipping playing cards into an upturned hat, which he offhandedly explains took him five or six hours a day for six months to learn. Rita then asks, is this how you spend eternity (tossing playing cards)?
According to author Rubin, his intent in the original script was for the time-frame to be ambiguous, but longer than a single lifetime. The studio objected to this, asking that it be reduced to two weeks. Director Ramis tried to leave the time-frame ambiguous, but intended it to be about ten years.[1]
Eventually, Connors enhances his own human understanding which, in return, makes him an appreciated and beloved man in the town. Finally, after professing his true love to Rita, one which she is able to accept, he wakes up on February 3 — again to "I Got You Babe", though alert viewers will note at a different point in the song. It is a new day, with Rita stretching and smiling beside him in bed. Phil suggests to Rita that they live in Punxsutawney, though he suggests (in an improvised line, according to the film's director, Harold Ramis in the his comments on the DVD version of the movie)[citation needed] "We'll rent to start." The closing song is "Almost Like Being in Love" from Brigadoon, a musical which also dealt with a village trapped in time.
According to the director's commentaries from the DVD, there are several differences between the original script for Groundhog Day, as written by Danny Rubin, and the film as it was actually released, because of changes made by the film's director, Harold Ramis. In the original script the film began in the middle of the narrative, without explaining how or why Phil was repeating Groundhog Day. However, the filmmakers became concerned that the audience would feel cheated without seeing Phil's growing realization of the nature of the time loop. Rubin had also originally envisioned Andie MacDowell's Rita reliving Groundhog Day with Phil and wished to portray the pair as being stuck in the time loop for far longer than in the final film, possibly for thousands of years (Phil tracked time by reading a page of a book each day and had managed to read through the entire public library). Consequently, the love story was less developed in the original script than in the final movie.
There was also a second draft script, which gave an explicit reason for the time loop — a voodoo spell cast by a woman who worked at the television station and was involved with Phil before he rejected her — that did not appear in the final film.
The location for most of the shooting of the film was not actually Punxsutawney but rather Woodstock, Illinois (only a short drive from Murray's hometown of Wilmette). The inhabitants of Woodstock helped in the film's production by bringing out heaters to warm the cast and crew in cold weather. In Punxsutawney, the actual Gobbler's Knob is located in a rural area about 2 miles (3 km) east of town. However, the location used in Woodstock gives the impression that the Knob is inside the town. The Tip Top Cafe in Woodstock, where much of the film takes place, was originally a set created for the film, but local demand led to its opening as a real cafe. It eventually closed down, but a "Tip Top Bistro" has taken its place.[2]
Some of the film was also shot in Indiana, Pennsylvania, with aerial shots also being filmed in Pittsburgh. An aerial view of the WPBH van shows the buildings for the Pittsburgh Press and Post-Gazette newspapers, as well as Gateway Center, the home of KDKA-TV and KDKA Radio.[citation needed]
Groundhog Day was a solid performer in its initial release, grossing $70.9M in North America and ranking 13th among films released in 1993,[3] but did not achieve blockbuster status. It found a second life on home video and cable, entrenching itself as one of the great American films of the late twentieth century. The film is number thirty-four on the American Film Institute's list of 100 Funniest Movies, and Roger Ebert has revisited it in his "Great Movies" series. After giving it a three-star rating in his original review, Ebert acknowledged in his "Great Movies" essay that, like many viewers, he had initially underestimated the film's many virtues and only came to truly appreciate it through repeated viewings.
This film is number 32 on Bravo's "100 Funniest Movies". In Total Film's 1990s special issue, Groundhog Day was deemed the best film of 1993 (the year that saw the release of Schindler's List, The Piano and The Fugitive). In 2000, readers of Total Film magazine voted it the seventh greatest comedy film of all time. The Writers Guild of America ranked the screenplay #27 on their list of 101 Greatest Screenplays ever written.[4] It maintains a 95% fresh rating on Rotten Tomatoes.
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Lists of miscellaneous information should be avoided. Please relocate any relevant information into appropriate sections or articles. (May 2008) |
In June 2008, AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. Groundhog Day was acknowledged as the eighth best film in the fantasy genre.[18][19]
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