
| Call Northside 777 | |
|---|---|
Theatrical poster |
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| Directed by | Henry Hathaway |
| Produced by | Otto Lang |
| Written by | Adaptation: Leonard Hoffman Quentin Reynolds Screenplay: Jerome Cady Jay Dratler Articles: James P. McGuire Jack McPhaul |
| Starring | James Stewart Richard Conte Lee J. Cobb |
| Music by | Alfred Newman |
| Cinematography | Joseph MacDonald |
| Editing by | J. Watson Webb Jr. |
| Distributed by | Twentieth Century Fox Film Corporation |
| Release date(s) | February 1, 1948 (U.S.A.) |
| Running time | 111 minutes |
| Country | United States |
| Language | English |
| IMDb • Allmovie | |
Call Northside 777 (1948) is a documentary-style film noir directed by Henry Hathaway.[1] It is based on the true story of a Chicago reporter who proved that a man who has been in prison for murder, was wrongly convicted 11 years before. James Stewart stars as the persistent journalist. Richard Conte plays the imprisoned Frank Wiecek, a character based on Joseph Majczek, who was wrongly convicted of the murder of a Chicago policeman in 1932, one of the worst years of organized crime during the Great Depression.
This is the first film to be shot on location in Chicago and views of the Merchandise Mart as well as Holy Trinity Polish Mission can be seen throughout the film.
Contents |
It is 1932 in Chicago, and a policeman is killed outside of a speakeasy. Frank Wiecek (Conte) and another man are sentenced to life imprisonment.
Eleven years later, a newspaper ad by Wiecek's mother leads the city editor of the Chicago Times (Cobb) to assign reporter P.J. McNeal (Stewart) to look more closely into the case.
McNeal is skeptical and believes Wiecek is guilty,. But he starts to change his mind, and meets increased resistance from authorities unwilling to be proved wrong.
Eventually Frank is proved innocent by, among other things, expanding a photograph showing the date on a newspaper.
The film received mostly positive reviews when it was released, and again when the movie was released on DVD in 2004. A 2004 Onion AV Club Review argued that the film may not be a true film noir, but is good nonetheless, and wrote, "Outstanding location shooting and Stewart's driven performance turn a sober film into a vibrant, exciting one, even though the hero and the jailbird he champions are really too noble for noir."[2]
The web site DVD Verdict made the case that the lead actor may be best reason to see the film, and wrote, "Its value exists mainly in Stewart's finely drawn characterization of a cynical man with a nagging conscience."[3]
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